FLASHBACK – 2014
Last Thursday night after a crazy-good veggie dinner produced for us by the gifted creator of GardenBurger, Paul Wenner (right).
https://www.facebook.com/photo/?fbid=10203728023453797&set=p.10203728023453797
Month: November 2021
Here again is an example of the African tribal art in my collection.
It’s been a lot of fun collecting it.
I think what I love is that I get to enjoy these creations without creating them myself. I guess that’s called living vicariously.
Djimini Mask from Ivory Coast
DDC_0476
12″ x 7.5″ x 6″ & 0.5lb
Provenance:
ex Merton Simpson
ex Mark Eglinton
Schedule an appointment to view the gallery:
Very important old Hemba statue from my collection
Hemba Statue from DR Congo
DDC_0185
21.5″ x 6″ x 6″ & 9lbs
Provenance:
*ex Swiss Collection bought a couple years ago by Michel Koenig, Brussels
*Undersigned Francois Neyt certifies the authenticity of this ancestor Hemba Sculpture at the beginning of the 20th century, done in Brussels on 01/24/2013
*Published: African Tribal Art Book
*Yale#0042566
*Christies London July 3, 1980 Lot 434
Schedule an appointment to view the gallery here:
Another cool one from my collection.
Why, you ask? What’s African art got to do with you, Dave Dahl? I’ll tell you what. Nothing. And that’s freaking great.
This mask is particularly cool.
Bamana Kore Mask from Mali
DDC_0085
16″ x 6″ x 6″ & 2 lbs
Provenance:
ex Alfred L. Scheinberg, NY
ex Mark Eglinton, NY
ex Fily Keita
In the Bamana culture, there are six initiation societies, Kore being the last and is known as the stage of attaining divinity. They believe in endless re-incarnation and that each time he returns to earth, that God removes a portion of his spiritual nature and keeps it in Heaven. Therefore, if uninitiated, the deity will become completely reabsorbed. To ensure infinite reincarnations, the Kore teachings are essential.
Schedule an appointment to view the gallery:
This one has an inscription on the back from an English captain in 1867.
Bakongo Yombe Drum Holder from DR Congo
DDC_0203
19.” x 27.5″ x 3″ & 3lbs
Provenance:
San Francisco Tribal Art Show 2017; Marc Assayag
Schedule an appointment to view the gallery here:
Sharing another one from the Dave Dahl Collection page.
Bamana Figural Door Lock from Mali
DDC_1023
21″ x 21″ x 4″ & 6 lbs (with base)
Traditionally, door locks were used to protect granaries and houses. Bamana door locks often contain ancestral representations in abstract form.
Schedule an appointment at the gallery here:
Another bad boy from my collection—Salampasu with great provenance.
Salampasu Frontal Mask from DR Congo
DDC_045321″ (with raffia) x 9″ x 7″ & 0.5lb
Provenance:
Collected in situ by Madeleine Christine Forani, Paris and stored in possession of family and purchased from granddaughter
.Photographed with Salvador Dali
Schedule an appointment to view the collection here: https://discoverafricanart.com/
Rare and important mask from Congo.
Luba Elephant Kifewebe Mask from DR Congo
20″ x 10″ x 10″ & 2.5lbs
Provenance:
ex Woods Davy
Yale #0068402-01
Get in touch to schedule an appointment: https://discoverafricanart.com/
I know my collection doesn’t appeal to everyone. But here is another that I dig.
Yaka Ndeemba Mask from DR Congo
17″ x 7″ x 9″ & 0.5lb
Provenance:ex Richard Reitzes, New York
In Yaka culture, masks are worn for multiple occasions. When Yaka boys are ready for initiation they are taken to bush camps and are put through multiple rituals to prepare for manhood. Yaka masks are also worn during public festivals. The ndeemba style mask are worn by newly circumcised young men during their dances and marks their return to village life.
